A tower...Install for wesbite smaller 1.

A Tower to Say Goodbye, 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

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A Tower to Say Goodbye, 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

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A Tower to Say Goodbye (reverse), 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

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Nailing the Colours (1 ), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

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Nailing the Colours (2), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

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Nailing the Colours (1 ) (reverse), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

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Darkest Darks, Union Jack, 2019, newsprint, soft pastel, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm.
Photo by Lewis Brander.

Spectacles in Black (Bessie Smith via Van Vechten), 2019, newsprint, soft pastel, ink, polyester thread, linen thread, wood, charcoal, steel,  240cm x 170cm. Installation view, John Hansard Gallery, Southampton.

Whop, Cawbaby, 2018, mixed media installation. Installation view, Tate St Ives, Nashashibi/Skaer: Thinking Through Other Artists.

Photo © Tate, 2018

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