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Liths 2 and 3, 2022. Inkjet prints on aluminium-mounted Kozo paper, encased in painted OSB box frames. L: 220cm x 125.5cm x 40cm. R: 297.5cm x 125.5cm x 40cm. Installation view, Spike Island, Bristol. 
Image courtesy Max McClure.

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Liths 1, 2 and 3,  2022. Inkjet prints on aluminium-mounted Kozo paper, encased in painted OSB box frames. L: 228cm x 125.5cm x 40cm M: 220cm x 125.5cm x 40cm. R: 297.5cm x 125.5cm x 40cm. Installation view, Spike Island, Bristol. 
Image courtesy Max McClure.

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Mire Horse  (detail), 2022. Embossed newsprint, thread, toner, foraged Bideford Black pigment, foraged Yarner Wood orange pigment, fixative spray, Dartmoor bog matter. 77.7cm x 39.2cm.
Image courtesy Andy Keate.

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Red Gate (Terratype), 2022. Newsprint, thread, foraged Torbay red ochre, foraged Sligachan yellow ochre, foraged Braes purple pigment, Ultramarine pigment, Antwerp blue  pigment, fixative spray, Plymouth Sound seawater. 41cm x 36cm.
Image courtesy Andy Keate.

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Gradient Gate (Terratype), 2021. Embossed newsprint, thread, toner, foraged Torbay red sandstone, Devon seawater. 41cm x 41cm.
Image courtesy Andy Keate.

A Tower to Say Goodbye, 2021. Newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue. 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.
Image courtesy Lewis Brander.

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A Tower to Say Goodbye, 2021. (Detail).
Image courtesy Lewis Brander.

Blue Gate (Terratype), 2022. Newsprint, thread, foraged Torbay red ochre, Ultramarine pigment, Antwerp blue  pigment, fixative spray, Plymouth Sound seawater. 41cm x 36cm.
Image courtesy Andy Keate.