A Tower to Say Goodbye, 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

A Tower to Say Goodbye, 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

A Tower to Say Goodbye (reverse), 2021, newsprint, soft pastel, fixative, polyester thread, linen thread, pva glue, 401cm x 260cm. Installation view, Chelsea Sorting Office, London. Presented by General Release London.

Photo by Alexander Edwards.

Nailing the Colours (1 ), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

Nailing the Colours (2), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

Nailing the Colours (1 ) (reverse), 2020, newsprint, soft pastel, resin, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Installation view, Klosterruine, Berlin. 

Darkest Darks, Union Jack, 2019, newsprint, soft pastel, polyester thread, linen thread, wood, charcoal, steel, 240cm x 170cm. Image Credit - Lewis Brander.

Spectacles in Black (Bessie Smith via Van Vechten), 2019, newsprint, soft pastel, ink, polyester thread, linen thread, wood, charcoal, steel,  240cm x 170cm. Installation view, John Hansard Gallery, Southampton.

Whop, Cawbaby, 2018, mixed media installation. Installation view, Tate St Ives, Nashashibi/Skaer: Thinking Through Other Artists.

Photo © Tate, 2018